Triinu Orgmets is an Estonian folk musician whose passion lies in the kannel and the Estonian bagpipe. She studies traditional music at the University of Tartu Viljandi Culture Academy and has spent an exchange year at the Sibelius Academy in Finland. For Triinu, the kannel is like a second native language – an instrument that allows her to combine tradition, improvisation, and the contemporary sonic world.
Her artistic focus lies in weaving together heritage and modern expression. She explores ancient playing techniques and archaic soundscapes, bringing them to today’s audiences through her distinctive interpretation and performance style. In addition to performing, Triinu works as a teacher and takes part in various collaborative, research, and folk music camp projects. International workshops, cross-cultural exchanges, and creative collaborations have broadened her perspective and strengthened her belief that folk music is a living, evolving, and boundary-crossing language.
Triinu’s work is defined by sincerity, curiosity, and a desire to share her music openly and honestly. For her, every instrument tells a story: about roots, people, and time, that continues to live through sound.
“Lainetel loodud” (Created on the Waves) is Triinu’s debut album for 12-string Estonian kannel. The music is rooted in traditional melodies and shaped through motif-based improvisation, where each piece emerges in the moment without written notation – guided instead by listening, direction and presence.
The album was recorded during a one-day session at University of Tartu Viljandi Culture Accademy Music House, capturing the music as it naturally unfolded. One track includes a later-added recording of soft footsteps, enhancing the sense of space and intimacy. The title refers to the time Triinu spent studying at the Sibelius Academy, travelling frequently by ferry across the Baltic Sea – a period of reflection, mapping her musical language and bringing the material into a cohesive whole.
Triinu acts as performer, arranger and mediator. Her improvisations grow from long-term exploration and analysis of traditional motifs, which she describes as “shelves” of variations, drawn upon intuitively in each performance.
“Lainetel loodud” presents tradition as a living, breathing practice – music that moves, listens and responds in the present moment.
photos: Aap-Eerik Lai
In the moment of performance, Triinu steps in front of this shelf and chooses which variation will sound at that time. The intention and initial idea of the piece are reflected in the music and guide these choices. Each piece has its own shelf – its own world and internal logic – within which movement takes place during performance.
Variations appear on the shelf in several ways:
– through analytical listening and reflection (what could be done, what might be possible, what a traditional musician may have done, which direction to take, what the aim is, how something has been done),
– through systematic practice,
– through emotion and dynamics,
– through playing techniques and the tuning of the instrument.